The Business

KCRW

1597 - William Shatner & Neil deGrasse Tyson think ‘The Universe is Absurd’

Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.

1597 - William Shatner & Neil deGrasse Tyson think ‘The Universe is Absurd’

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Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.

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The Business

Episodios

William Shatner & Neil deGrasse Tyson think ‘The Universe is Absurd’

Kirk Jones and Robert Aramayo on the making of ‘I Swear’

Ben McKenzie’s Crypto Warning: ‘Everyone Is Lying to You for Money’

Riz Ahmed on bringing 'Hamlet' into the modern world

Drew Goddard shoots for the stars with ‘Project Hail Mary’

Oscar winners victory lap: Autumn Durald Arkapaw & Joachim Trier

A demanding first week for Disney CEO Josh D’Amaro

A human conversation with the producers of ‘The AI Doc: Or How I Became an Apocaloptimist’

Tilly Norwood creator defends her controversial synthetic character

A check-in with SAG-AFTRA president Sean Astin

Kleber Mendonça Filho on ‘The Secret Agent’ and taking a stand

Oscar-nominated cinematographer Autumn Durald Arkapaw on ‘Sinners’

Palme d’Or winner Jafar Panahi on ‘It Was Just an Accident’ and returning to Iran under legal threat

Steamrollers, record breakers, and late surges: Inside the 2026 Oscar nominees

Alexandria Stapleton on chronicling the rise and reckoning of Sean Combs

Tom Freston on building MTV during cable’s wild west years

‘Sentimental Value’ director Joachim Trier is begging Netflix to embrace movie theaters

SPECIAL PREVIEW: Joachim Trier on 'Sentimental Value'

Tim Blake Nelson on balancing acting, directing, writing, and his novel ‘Superhero’

Hollywood in 2026: Disney’s next CEO, industry tariffs, and Netflix vs. YouTube

Megabanter 2025: Hollywood’s unraveling year of crises, consolidation, and AI

Vince Gilligan wants the audience to decide what ‘Pluribus’ is about

Everything you need to know about the Warner Bros. sale (so far)

Celine Song on confronting the cost of love in ‘Materialists’

Digging into ‘Wake Up Dead Man’ with Rian Johnson and Ram Bergman

Shawn Levy talks ‘Stranger Things,’ ‘Star Wars,’ & studio shakeups

Judd Apatow’s memoir reflects a lifetime as a ‘Comedy Nerd’

‘The Alabama Solution’ filmmakers on exposing America’s prison crisis

Brad Falchuk on life, death, and ‘Famous Last Words’

How would a Netflix-owned Warner Bros. operate?

Aziz Ansari on turning bad luck into 'Good Fortune'

Noam Tibon on rescuing his family from Hamas in Barry Avrich’s ‘The Road Between Us’

A “Smashing” chat with Benny Safdie

Mike Figgis on chronicling the chaos of ‘Megalopolis’

How affiliate pressure and FCC rhetoric put Kimmel on ice

THR’s Executive Awards Editor shares Emmy predictions

Runway founder Cristóbal Valenzuela wants Hollywood to embrace AI

‘KPop Demon Hunters’ slays at the box office

‘Shrinking’ co-creator & star Jason Segel: Live From KCRW HQ

Paramount leadership announces a knockout deal for UFC rights

‘Severance’ cinematographer Jessica Lee Gagné talks moving into the director’s chair

‘Platonic’ creators Francesca Delbanco & Nick Stoller love it when you hate watch

Will Paramount produce a PSA (or many) for the Trump admin?

Barry Diller calls out studios for reckless misinformation

Hollywood legend Barry Diller opens up via ‘Who Knew?’

Larry Charles offers a glimpse into his storied career via new memoir ‘Comedy Samurai’

Food > fights: Phil Rosenthal on ‘Somebody Feed Phil’

GLAAD CEO discusses LGBTQ inclusivity in film; Disney and Universal sue over AI plagiarism

Adam Arkin on ‘Poker Face’ and nepo baby narratives; Warner Bros Discovery announces a split

Seth Meyers on politics and dad jokes; David Zaslav’s problematic paycheck