The No Film School Podcast

No Film School

A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.

1018 - The Best Distillation of Filmmaking: An A24 Edit Case Study

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The No Film School Podcast

Episodios

The Best Distillation of Filmmaking: An A24 Edit Case Study

What These DPs Used Instead of Stills to Land Their Sundance Films

‘Send Help’ Producer Zainab Azizi’s Studio Filmmaking Playbook

The Quiet Throughline in This Year’s Sundance Shorts

How to Write Romance Scripts That Sell: Insider Tips from The Love List

The Indie Exhibition Problem (And the People Fixing It)

How to Get Into — or at Least Go to — SXSW

How to Self-Produce an Indie TV Pilot in Your Hometown… and Premiere at Sundance

How to Find Collaborators at Film Festivals, from Sundance '26

One Last Run in Park City: How to Ski the Treacherous Slopes of Independent Film at Sundance ‘26

The Industry Awakens: What It Means for Your Short‑ And Long‑Term Career

Breaking Down a Doc Fest Run: Process, People, and Payoff

Why Film Culture Still Needs Physical Spaces: A Case Study of Vidiots

How a Film Score Actually Gets Made (Step by Step) & Pete Ohs’ Distribution Experiment of 2026

Your Movie Is Out In The World. Now What?

How 'The Plague' Perfected the Horror of Growing Up

One Lens, One Vision: The Cinematography of 'The Creator'

How Earning an Actor’s Trust as a Director Can Drive Your Career

From Book to Big Screen: Rebecca Sonnenshine’s Adaptation Playbook (The Housemaid, The Boys)

David Zaslav Will Make Nearly $1 Billion From Selling Warner Bros. to Netflix (or Paramount). How Much Will Filmmakers Make?

How Queer, Gender-Fluid DP Gayle Ye Is Transforming Set Culture From Within

Documenting the Business of Fear: Inside HBO’s 'Thoughts & Prayers'

You’re Picture Locked. Now What? (Plus Dir. Ruben Fleischer!)

How We Are Reclaiming Development

Editing an American Epic: Inside 'Train Dreams' with Dir Clint Bentley & Editor Parker Laramie

State of the Industry & the Art of Programming with Nicolas Curcio and Imani Davis

Do We Even Need Reps? How 'Violent Ends' Director John-Michael Powell Made His Theatrical Feature Without Them

Why the Austin Film Festival Is #1 for Screenwriters (and Could Texas Be #1 for Film Production?)

Why Netflix’s #1 Film 'The Perfect Neighbor' Is the Edit Everyone’s Talking About

The Art of Coming Undone: Mary Bronstein on ‘If I Had Legs I’d Kick You’

Are You Up to the ‘Task’ of Directing Great TV? Jeremiah Zagar on How to Helm an HBO Hit

Can Filmmakers Make Money by Adding a ‘Tip Jar’ to the Credits? ‘Dolly’ Filmmakers Find Out

Breaking Taboos with Slamdance-Winning 'Chaperone' Director

AI as a Tool, Not a Shortcut: Inside the Chroma Awards

Shane Black’s Filmmaking Philosophy

Benny Safdie on Blurring Reality and Fiction in 'The Smashing Machine'

Accountability, Networking, and Creative Grind with Just Shoot It

Inside Adult Animation: Creating Netflix’s 'Haunted Hotel'

The Poetry of VFX: Building Gotham with Emmy-Winning Team of 'The Penguin'

Why the 20th Edition of Fantastic Fest is the Most Important One for Filmmakers

First Love, Queer Cinema, and the Art of Collaboration

What You Don’t See in 'HIM': Taylor Mason on the Edit That Shapes It

How Theaters Choose What to Show: Inside Programming

How to Make an Indie Film with 8‑Hour Days and On‑Set Childcare

How Macon Blair Reinvented the Cult Classic The Toxic Avenger

Cutting Comedy: Inside the Edit of Saturday Night Live’s 50th Anniversary

Unlearning Grind Culture With Oscar-Winning Editor Paul Rogers

Shooting Live Between Mumbai and Frankfurt with a Global Superstar

Showrunners Nick Stoller & Francesca Delbanco on Sharing Everything

How a Smutty Pizza Pitch Won the Frontières 'Short to Feature' Comp

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